Three paintings by egon schiele: Ideas about the essence of art

Тип публикации: статья из журнала

Год издания: 2019

Идентификатор DOI: 10.17516/1997–1370–0451

Ключевые слова: Egon Schiele, Expressionism, G, Klimt, Self-portrait, Turn of the 19th-20th centuries, Vienna

Аннотация: Egon Schiele (1890–1918) is one of the most significant representatives of Austrian expressionism, whose works influenced not only numerous painters and graphic artists, but dancers and theatrical stage employees as well. However, few academic publications are devoted to E. Schiele’s creative work, and among the existing ones, there is a significant proportion of those where his paintings are considered as the evidence of deviations in the painter’s mental health. The main method used in the present work is the philosophical and art studies analysis, appealing to the universal meanings of works of art. Three paintings: Self-Portrait with Black Vase (1911), The Holy Family (1913) and Death and the Maiden (1915), which can be combined into one series demonstrating the genesis of Egon Schiele’s ideas about art in general and about his creative work in particular, are the material for this study. © Siberian Federal University. All rights reserved.

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Издание

Журнал: Journal of Siberian Federal University - Humanities and Social Sciences

Выпуск журнала: Vol. 12, Is. 7

Номера страниц: 1240-1255

ISSN журнала: 19971370

Издатель: Siberian Federal University

Авторы

  • Reznikova K.V. (Siberian Federal University, 79 Svobodny, Krasnoyarsk, 660041, Russian Federation)
  • Sitnikova A.A. (Siberian Federal University, 79 Svobodny, Krasnoyarsk, 660041, Russian Federation)
  • Zamaraeva Y.S. (Siberian Federal University, 79 Svobodny, Krasnoyarsk, 660041, Russian Federation)

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